It would be very easy to write off
The Flaming Lips' new full-length
Oczy Mlody as yet another spaced-out trip. At first listen, it certainly sounds like what one would expect a Flaming Lips album to sound like; that is, a candy-coated variation on
Pink Floyd's themes, with lots of droning synths, pitch-shifted vocals, and other weird flourishes. Even the album art contributes to that view, resembling the cover to a dog-eared fantasy paperback.
But it's never that simple with the Lips.
Oczy Mlody is ostensibly the follow-up to the band's 2013 nihilist opus,
The Terror, a record of serious personal trauma within the band. If
The Terror was the Lips at their emotional nadir, then
Oczy Mlody is the band trying to climb out of that hole. If it takes songs about unicorns and hunting faeries to get out, so be it. The band enlists
Reggie Watts on "There Should Be Unicorns," and he obliges with his best
Keith David impression. Meanwhile, "One Night While Hunting for Faeries and Witches to Kill" plays like a
D&D adventure begging for a club remix.
But then you have songs like "Sunrise (Eyes of the Young)" and "Almost Home (Blisko Domu)" that lay their pain bare, and hope for belonging and connection on "We a Famly" (with an assist from
Miley Cyrus), and you find the through-line from the minor key menace of
The Terror. It helps that
Wayne Coyne and
Steven Drozd have established one of the best creative partnerships in music, crafting epic soundscapes that drip with humanity. With
Oczy Mlody, The Flaming Lips have once again found a way to inject the personal into the atmospheric, creating an experience that finds notes of intimacy in the vast cosmos.
The Flaming Lips return to Philadelphia at
The Fillmore on March 4.
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