You can experience their self-inflicted growth in the midtempo and slower tracks "Hard Luck," "Eggplant," and "Saturday" the latter of which has a bridge that sounds an awful lot like Suzanna Vega's "Tom's Diner." Even their lead single "Might Be Right" is a radio-ready single that is still catchy enough to put them comfortably on tour with a like-minded band such as The Wombats. These tracks are solid and they make the album more listenable by breaking up the straight onslaught of pure energy, in-your-face high kicks that summarized their first records. That style, however, is well represented elsewhere.
White Reaper always had the knack of ramping up songs that sound like they're from the '50s by dragging them through power-pop and glam of the '70s and dropping them in the aughts' production. "Raw" is a dizzy, swirling rocker that never stops driving forward. Single "1F" has a playful melody and bouncy keyboard that harkens back to the best OK Go singles. And the two opening tracks have the band picking the familiar party-jams recipe right back up. The second of which, "Real Long Time" is the catchiest song on the record. It feels like a nod to Cheap Trick's "I Want You to Want Me" with its rising and falling melodic chorus.
White Reaper is poised to be the next face in the rock n roll lineage. With the gusto, even if it is tongue in cheek, to name their previous album The World's Best American Band, then signing with the major label that puts its imprint on AC/DC, Queen, The Cars and MC5 records, they've ticked all the boxes a young band needs to survive and thrive. It's all up to them.
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